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I’m actually left to wonder if the author didn’t proofread, or just couldn’t be bothered with proper grammar as some sentences were left hanging with no punctuation.ģ.) Is the dialogue free of exposition and rich in subtext? Does each character have a unique voice? (Rocky’s dialogue is written almost exactly how it’s delivered on screen which makes me wonder if that didn’t complicate things.) Stallone did and showing the exterior of all buildings for dramatic effect and two lines of description, then taking us to the scene inside.Ĭlocking in at 110 pages was great, but there were NUMEROUS typos. We should be limiting our scenes as much as possible.
Yes, but remember it’s a shooting script.
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You can see it in your head, most likely because you’ve either seen this movie or one of the previous ones.Īs I’m grading this like I would an undiscovered writer.Ģ.) Does the author use an acceptable format? After that though we’re left with what I said first, adequate.
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Then another few big ones in the first few pages. there’s a description that runs over five lines. Stallone can do this, cause he’s Sly freaking Stallone, we can’t. There were a few parts that ran long, but as I mentioned, Mr. Hank – What’re we waitin’ fer?! Take this! Readers – Hank we want you to do one thing for us? Insert a training montage followed by a 15 round fight, and you’re left exactly how you started this saga some 30 odd years ago. This gets people talking, convinces Rocky to get licensed to box in smaller, local fights, and ultimately convinces Mason to challenge Rocky to an exhibition fight, which will up his plummeting pay-per-view sales. ESPN does a computer generated bout between Mason and Rocky where Rocky ends up the hypothesized winner. The B story is about the current heavyweight champ, Mason “The Line” Dixon, fighting nobodies, and he’s not very popular for the sport of boxing. only to discover the reason his son is distant is because he can never live up to Rocky’s shadow. To make matters worse, Rocky reaches out to Robert Jr. It’s at this point that Paulie gives up, and tells Rocky he’s got to stop living in the past. Rocky owns a restaurant where he relives the glory days, and we’ve also come in on the anniversary of Adrian’s death, which Rocky does a popular tour of the neighborhood showing us spots from previous movies that were special to he and his wife. We find out that Adrian is dead, Robert Jr., his son, keeps a distant relationship, and Paulie is…well still negative, old, racist Paulie. Rocky sits at a headstone, and has aged some twenty years since he was the heavyweight champion. Stallone got away with a lot of stuff here.) I’ll see how this goes, and it might be a bit of a learning process for me, as I’m going to grade some portions as if it were a spec script. So it’s my turn to review an actual made movie. And thanks also to Eric for providing our first official Reader Review.
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